Concert: Piano Works
Concert: CD 1
J.S. Bach: The Well-Tempered Clavier, Book One
Prelude in e-flat
Fugue in d-sharp
Prelude in E-flat
Fugue in E-flat
Robert Schumann: Sonata No.3 in f, Op.14 ("Concerto Without Orchestra")
Allegro brillante
Scherzo 1: Molto commodo
Scherzo 2: Vivacissimo
Quasi Variazoni: Andantino de Clara Wieck
Prestissimo possibile
Concert: CD 2
Franz Schubert: Six Moments Musicaux, D.780
No.1 in C
No.2 in A-flat
No.3 in f
No.4 in c-sharp
No.5 in f
No.6 in A-flat
Frédéric Chopin: Three Works
Prelude in e-flat
Fugue in d-sharp
Prelude in E-flat
Fugue in E-flat
Robert Schumann: Sonata No.3 in f, Op.14 ("Concerto Without Orchestra")
Allegro brillante
Scherzo 1: Molto commodo
Scherzo 2: Vivacissimo
Quasi Variazoni: Andantino de Clara Wieck
Prestissimo possibile
Concert: CD 2
Franz Schubert: Six Moments Musicaux, D.780
No.1 in C
No.2 in A-flat
No.3 in f
No.4 in c-sharp
No.5 in f
No.6 in A-flat
Frédéric Chopin: Three Works
Barcarolle, Op.60
Scherzo No.3 in c-sharp, Op.39
Waltz in c-sharp, Op.64 No.2
Scherzo No.3 in c-sharp, Op.39
Waltz in c-sharp, Op.64 No.2
Recording Information:
http://www.stereophile.com/features/315/index.html
Performances: Robert Silverman
Production/Editing/Engineering: John Atkinson, with Robert Harley
Executive Producer: Larry Archibald
Concert Organizer: Ralph Johnson
Road Manager: Danny Sandoval
Piano Technician: Charles Rempel
Emergency Piano-Stool Repair: Gorm Damborg
Photographs: John Atkinson
Venue: The First United Methodist Church, Albuquerque, New Mexico.
Recording Dates: November 6 & 8, 1992; November 5, 1993.
Steinway D piano: supplied by Riedling Music Company, Albuquerque, NM.
Microphones: two B&K 4006 ½" omnidirectionals with black (diffuse-field) grids.
Microphone preamplifiers: EAR 824 (1992-I), Meitner (1992-II), Sonosax (1993).
Cables: AudioQuest Lapis balanced, fitted with AudioQuest XLRs, to mike preamps; Beyerdynamic balanced microphone cable to recorder.
Recorder: Revox PR99 ¼", two-track, open-reel recorder.
Playback: Ampex ATR-100 ¼", two-track, open-reel recorder, restored by Mike Spitz (ATR Service Company) and modified by Robert Harley, with the invaluable help of Steve Hogan (Jensen Transformers), Jerry Ziss (Analog Devices), Steve McCormack (McCormack Audio), and John Curl.
Tape: Maxell XL-1 & UD-XL (1992), Ampex 456 (1993).
Editing/Mastering:
Performances: Robert Silverman
Production/Editing/Engineering: John Atkinson, with Robert Harley
Executive Producer: Larry Archibald
Concert Organizer: Ralph Johnson
Road Manager: Danny Sandoval
Piano Technician: Charles Rempel
Emergency Piano-Stool Repair: Gorm Damborg
Photographs: John Atkinson
Venue: The First United Methodist Church, Albuquerque, New Mexico.
Recording Dates: November 6 & 8, 1992; November 5, 1993.
Steinway D piano: supplied by Riedling Music Company, Albuquerque, NM.
Microphones: two B&K 4006 ½" omnidirectionals with black (diffuse-field) grids.
Microphone preamplifiers: EAR 824 (1992-I), Meitner (1992-II), Sonosax (1993).
Cables: AudioQuest Lapis balanced, fitted with AudioQuest XLRs, to mike preamps; Beyerdynamic balanced microphone cable to recorder.
Recorder: Revox PR99 ¼", two-track, open-reel recorder.
Playback: Ampex ATR-100 ¼", two-track, open-reel recorder, restored by Mike Spitz (ATR Service Company) and modified by Robert Harley, with the invaluable help of Steve Hogan (Jensen Transformers), Jerry Ziss (Analog Devices), Steve McCormack (McCormack Audio), and John Curl.
Tape: Maxell XL-1 & UD-XL (1992), Ampex 456 (1993).
Editing/Mastering:
Analog original transfered to digital with the Manley/UltraAnalog 20-bit A/D Converter; edited with 20-bit resolution on the Sonic Solutions hard-disk editing system; mastered and redithered to 16-bit resolution using the Meridian 618 Mastering Converter.
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